Yellow inserts
Location: Rome
Area: 400 Smq
Client: Asset Management Company
Project time: 2017
It is important to transmit this image also from an architectural point of view; various kinds of elements and pondered interventions, on the basis of the message to spread, make the Company’s image unique.
It is important to transmit this image also from an architectural point of view; various kinds of elements and pondered interventions, on the basis of the message to spread, make the Company’s image unique.
We developed this concept for a property that houses different Companies, which wished to give a visual recognition to both indoor and outdoor areas of the building.
To achieve that we have decided to use the colour as leitmotif of this design; the colour we chose is yellow that, thanks to its emotional feeling, has made the environments unique. Yellow has been chosen also for its warm tone which gives rise to freedom, movement, and vitality, creates a cheerful and welcoming atmosphere in addition to conceive those characterising elements of a Company.
Once inside you are welcomed by the main entrance with a waiting room on the left; the reception hall, from which the lift landings are accessible, is located at the end of the main entrance. The reception is characterized by a rectangular space; two of its sides are occupied by a corner desk with a geometric coating, whose diagonal lines pattern enriches and defines some portions characterised by the same yellow tone of the entire project.
The other two sides consist of two wooden and metal structures that create a visual protection grid of the reception, and which also define the walkway space for users. The rigid and diagonal structure of the desk creates a visual movement, and its shape directs the flow of users in the building.
On the other hand, its external appearance expands throughout the whole environment; the diagonal lines rise up from the ground up to the false ceiling, characterised by a predominant yellow geometry spaced out by linear lighting elements, to underline the rigid geometries on which the entire concept is based.
